论“潘氏兄妹”的琵琶曲创作特征  

Compositional Characteristics of the PAN Yabo Siblings’ Pipa Works

作　　者：张迎春[1] ZHANG Yingchun(College of Music,Anhui Normal University,Wuhu 241001,China)

机构地区：[1]安徽师范大学音乐学院,安徽芜湖241001

出　　处：《合肥师范学院学报》2021年第2期103-107,共5页Journal of Hefei Normal University

基　　金：安徽省哲学社会科学规划青年项目“浦东派琵琶在安徽的传承发展研究”(AHSKQ2017D42)。

摘　　要：“潘氏兄妹”作为当代“浦东派琵琶”传承人,通过分析与研究,可以看出“潘氏兄妹”对乐曲的演奏技法既秉承浦东派传统,又在大指摇、凤点头、下出轮等技法上取得定向突破。“潘氏兄妹”的琵琶曲创作特征,折射出浦东派琵琶在创作主题、演奏技法、音乐形态上的内在变化。同时,“潘氏兄妹”的琵琶作品一定程度上还体现了时代变迁与情感的现实烛照,大辂椎轮与技法的定向突破,以及时代诉求与音乐形态的中西兼容。Pan Yabo siblings are the contemporary inheritors of the“Pudong Pipa”.Studies and analysis show that their performance techniques not only adhere to the tradition of the Pudong School,but also make breakthrough in such techniques as Thumb-swing,Phoenix Nodding Head and Upward Fingers Flipping.The characteristics of Pan Siblings reflected the internal changes of the Pudong School in terms of creative themes,performance techniques and musical forms.Meanwhile it also embodied the change of the time and emotions,the directional breakthrough of the Big Wheel and the related technique,the demands of the time and the compatibility of the Chinese and western forms of music.

关 键 词：“潘氏兄妹” 浦东派 主题 技法 音乐形态 

分 类 号：J607[艺术—音乐]