柳宗元《零陵三亭记》的曲式学解读——兼及奏鸣曲式的最低限度要求  

An Interpretation of LIU Zongyuan’s Three Pavillions in Ling-Ling from the Perspective of Musical Form—And the Minimum Requirement for Sonata Form

作　　者：彭志敏[1] PENG Zhimin

机构地区：[1]武汉音乐学院作曲系,武汉430060

出　　处：《黄钟（武汉音乐学院学报）》2021年第1期4-12,165,共10页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：文章为2020年上海“‘奏鸣曲式研究’学术研讨会”而作,试从文学和音乐的相似性关系出发,以奏鸣曲式为参照,对柳宗元《零陵三亭记》作类比的曲式学解读。以从非音乐角度,思考曲式学和奏鸣曲式的有关问题;也从曲式学角度,参看中国古代文学作品的部勒技巧。寻其相似相关点,贯其相同相通处,以强调奏鸣曲式的最低限度要求。This article was written for the academic seminar Study of Sonata Form held in Shanghai,2020.Based on the similarities between literature and music,the article draws an analogy with LIU Zongyuan’s Three Pavilions in Ling-Ling for an interpretation from the perspective of musical form,and sonata form.Author discusses issues regarding music form and sonata form from a non-music perspective and refers to structural techniques from the view of music form;to address minimum requirement of sonata form by comparing the similarities and connections between the two.

关 键 词：柳宗元 零陵三亭记 曲式 奏鸣曲式 

分 类 号：J614.3[艺术—音乐]