拜占庭帝国音乐文化中的女性  

Women in Byzantine Musical Culture

作　　者：何弦[1] HE Xian

机构地区：[1]四川音乐学院音乐学系,成都610021

出　　处：《黄钟（武汉音乐学院学报）》2021年第1期100-111,124,167,共14页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：拜占庭帝国的音乐直接受到古希腊音乐的影响,且对西欧的中世纪教会音乐产生了深远的影响,在西方乃至世界音乐历史上占有重要地位。文章将追溯女性在拜占庭帝国世俗音乐生活中的总体地位,并进一步介绍克拉达斯之女及卡西娅这两位在拜占庭教会音乐历史中占有重要地位的女性颂歌作者,以期梳理与早期西方女性音乐家相关的史料,为未来这一领域可能的研究提供参考,并拓展西方音乐“她历史”叙事的可能空间。Being directly influenced by Ancient Greek music and profoundly influencing the medieval church music of Western Europe,Byzantine music occupies a pivotal position in the history of Western mu‐sic and even global music.This article is a retrospection of the overall status of women in Byzantine secu‐lar musical activities,which refers to two leading female musicians,Kassia and the Daughter of Kladas,whose works have long been deemed as significant Byzantine hymns.Based on such reviews of the rele‐vant historical materials of female musicians at the early stage of music history,this article aims to provide reference for further research in relevant fields and explore the historiographical possibility of musical“her-story.”

关 键 词：拜占庭音乐 女性音乐家 克拉达斯之女 卡西娅 拜占庭教会颂歌 

分 类 号：J609[艺术—音乐]