经典的解构与重塑--论达菲诗集《世界之妻》中的女性狂欢  

Deconstruction and Reconstruction of the Classics--Analysis of the Female Carnival in Duffy’s the World s Wife

作　　者：吴端明 WU duan-ming(Guangdong Teachers College of Foreign Language and Arts,Guangzhou Guangdong 510000)

机构地区：[1]广东省外语艺术职业学院外语外贸学院,广东广州510000

出　　处：《牡丹江大学学报》2021年第7期54-59,共6页Journal of Mudanjiang University

摘　　要：卡罗尔﹒安﹒达菲是英国现任桂冠诗人,在她的诗集《世界之妻》中,她以全新的角度对历史、神话故事中的经典女性角色进行了书写,从而将这些或沉默或隐没的女性角色推到舞台中央,述说她们独有的女性体验、焦虑和理想:小红帽勇敢的反凝视体现了女性的成长;女金刚与男性爱人的不朽情歌是隐秘的女性理想的超现实狂欢;希律王后的铁血手段放大了身为母亲的焦虑;对于现实中两性关系的处理,皮格马利翁的新娘提供了一种可行的策略。通过对经典的解构与重塑,达菲在惯行的男性思维中加入了女性的观点,从而探索两性相处的理想模式。Carol Ann Duffy is the current British poet laureate.In her poem collection the World s Wife,she rewrites the classic female characters in history and fable story from a new perspective.She pushes the silent female figures to the center of the stage and lets them speak of their unique experience,anxiety and ideals:the Red Cap’s oppositional gaze is a reflection of her growth;the immortal love between Queen Kong and her lover is surrealism carnival of the covert feminine ideals;Queen Herod’s shedding blood to protect her baby girl amplifies her anxiety as a mother;Pygmalion’s Bride offers a possible solution for the gender relations in reality.Through deconstructing and reconstructing these classic figures,Duffy puts forward female’s viewpoints in male dominated culture and strives to explore ideal gender relations.

关 键 词：达菲 世界之妻 经典解构 女性体验 两性关系 

分 类 号：I12[文学—世界文学]