大众娱乐与民族复兴——论民国时期的历史剧  

Mass entertainment and national rejuvenation——Historical plays in the period of the Republic of China

作　　者：王沛轩 刘莉[1] WANG Pei-xuan;LIU Li(College of Humanities,Ningxia University,Yinchuan,750021,China)

机构地区：[1]宁夏大学人文学院,宁夏银川750021

出　　处：《哈尔滨师范大学社会科学学报》2021年第3期143-147,共5页Journal of Social Science of Harbin Normal University

摘　　要：民国时期,伴随着时人对历史剧的重新认识,文艺界频频对其发起了革新运动。"历史剧"夹杂着旧的成份,如何"旧瓶装新酒"并为新时期所用,成为现代中国戏剧的重要议题,为时下各界士人所重视。目前学界多聚焦于历史剧的现代意识或是历史剧的民族意识,对二者的衔接和转化未有较深入的讨论,文章尝试梳理民国时期历史剧的发展过程,注重其转向,探究其多元化的意识形态如何逐渐趋于统一。通过考察民国时期历史剧是如何走向激发民族精神的道路,或可对历史剧的繁荣现象,以及相关各种群体的意识的蜕变获得新的解释,进而对大众娱乐与民族复兴的关系能够有一较为全面的理解。during the period of the Republic of China, with people’s new understanding of historical drama, the literary and art circles frequently launched innovation movements" "Historical drama" is mixed with old elements, and historical drama in the early Republic of China also shows different aspects. How to use "old bottles and new wine" in the new era has become an important issue of modern Chinese drama, which has attracted the attention of scholars from all walks of life. At present, the academic circles mostly focus on the modern consciousness of historical drama or the national consciousness of historical drama, and there is no in-depth discussion on the connection and transformation of the two. Therefore, this paper attempts to sort out the development process of historical drama in the period of the Republic of China, pay attention to its turn, and explore the gradual unification of its diversified ideology. Therefore, this paper attempts to explore how the historical plays in the period of the Republic of China moved towards the road of stimulating the national spirit, or to obtain a new explanation for the prosperity of historical plays and the transformation of the attitude and consciousness of various groups, so as to have a more comprehensive understanding of the relationship between mass entertainment and national rejuvenation.

关 键 词：大众娱乐 民族复兴 历史剧 

分 类 号：K25[历史地理—历史学] K26[历史地理—中国史]