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作 者:罗鹭[1] Luo Lu
机构地区:[1]四川大学中国俗文化研究所、文学与新闻学院,成都610064
出 处:《四川大学学报(哲学社会科学版)》2021年第4期81-90,共10页Journal of Sichuan University:Philosophy and Social Science Edition
基 金:国家社会科学基金一般项目“历代元诗总集研究”(19BZW081)。
摘 要:元代是中国文学评点发展的重要时期。元代的诗歌评点,与南宋的古文评点以及明清的戏曲、小说评点一样,都具有开创性和奠基性意义。元代诗歌评点的特色是将评点对象由古代名家名作转变为同时代普通作家作品,产生了“元人评点元诗”这一特殊文献类型,至少包括方回、欧阳玄、黄溍、杨维祯等人的8种评点著作。元代诗歌评点具有很强的当下意识,评点目的和功能从单一的“指导初学”趋向多元化:方回关注诗友间诗艺的切磋与提高,充分发挥评点的批评价值;欧阳玄以馆阁文人身份评点布衣诗人周权《此山先生诗集》,重视评点的政教功能,弘扬“温柔敦厚”的儒家诗教传统;杨维祯和黄溍在评点中推尊古乐府,宣扬铁雅派,具有很强的宗派意识。元人评点元诗的相关文献尚未引起学术界的关注,其诗学价值与意义值得进一步发掘。The Criticism on Yuan Poetry during the Yuan Dynasty had founded many canonical forms for ancient literary criticism in China.Generally,it was common to comment on poems by famous authors.But in Yuan Dynasty poetical criticism involved works of many ordinary authors;for example,monographs on poems were produced by Fang Hui,Ouyang Xuan,Huang Jin,and Yang Weizhen.Fang was good at discussing writing technique and professional skills of those ordinary authors.Ouyang hoped poems to be useful for political education.Obviously,his views were influenced by Confucianism.Yang was an advocate for restoring what was ancient in the poems,and also wanted to form a sect of his own.This article aims to interpret such monographs in many different ways,because they haven't yet been examined by other scholars.
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