当代西方激进左翼戏剧的后解构表征——奈格里《抵抗三部曲》之解读  

Post-deconstructive Representation in the Contemporary Western Radical Left Dramas:An Interpretation of Negri's Trilogy of Resistance

作　　者：李岩[1,2] LI Yan(Foreign Studies College, Northeastern University, Shenyang 110819, China;College of Arts, Northeastern University, Shenyang 110819, China)

机构地区：[1]东北大学外国语学院,辽宁沈阳110819 [2]东北大学艺术学院,辽宁沈阳110819

出　　处：《东北大学学报（社会科学版）》2021年第4期113-119,共7页Journal of Northeastern University(Social Science)

基　　金：辽宁省社会科学规划基金重点资助项目(L19AWW001)。

摘　　要：面对当下全球数字资本主义不再完全是以逻各斯为中心,奈格里在《抵抗三部曲》中采取了后解构策略的解构—建构模式,以史诗剧形式触及了“反帝国”的许多核心议题,感性地呈现了当代西方激进左翼的共产主义宣言。他将戏剧实践视为对抗“帝国”的一种有力形式,通过在舞台上展现诸众的暴力反抗,意在为实现帝国后现代语境下的共产主义创造新的革命主体,最终走向大同世界。《抵抗三部曲》彰显了西方激进左翼戏剧的先锋实验性、政治实践性和审美乌托邦的力量,对丰富和拓展当代西方激进左翼戏剧创作和文艺观念的研究,及其中国化马克思主义文艺批评有很强的启迪性。Faced with the fact that the current global digital capitalism is no longer entirely logocentric,in Trilogy of Resistance,Negri adopts a deconstruction-construction model of post-deconstructive strategy,touches on many core issues of“counter-empire”in the form of epic theater and presents sensuously the radical left communist manifesto of the contemporary West.Negri regards the dramatic practice as a powerful form against the“empire”.By showing the violent resistance of the multitude on the stage,he intends to create a new revolutionary subject for the realization of communism in the post-modern context of the empire,which eventually leads to a cosmopolitan community.Trilogy of Resistance embodies the pioneering experimentation,political practicality and the power of aesthetic Utopia of Western radical left dramas.It enriches and expands the writing of contemporary radical left dramas and the study of literary concepts,which enlightens the sinicization of Marxist literary criticism.

关 键 词：安东尼奥·奈格里 《抵抗三部曲》 左翼戏剧 后解构表征 诸众 

分 类 号：I106.3[文学—世界文学]