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作 者:朱涛[1] Zhu Tao
机构地区:[1]华南师范大学
出 处:《俄罗斯文艺》2021年第3期119-125,共7页Russian Literature & Arts
基 金:国家社科基金一般项目“俄罗斯大型文学期刊与当代俄罗斯文学批评关系研究”(18BWW036)阶段性研究成果。
摘 要:大型文学期刊是苏联文学中心主义的产物,它在苏联时期曾大放异彩,解体之后,其地位却一落千丈,遭遇严重的生存危机。回顾从苏联解体到如今这二十多年的发展历程中,不难看出,大型文学期刊经历了从合法化到遭受质疑再到合法化的过程,在这个过程中,它呈现出种种悖论。这些悖论虽各不相同,但归根结蒂,源于急剧转型的社会与大型杂志自身结构的不断碰撞与对话,根植于文学发展自律性与他律性的深层悖论之中。As we all know,"large"literary journals were the product of Soviet literary centralism,which once flourished in the Soviet Union,but its status plummeted after the disintegration,and it faced a serious crisis of survival.A careful review of the development process from the disintegration of the Soviet Union to the present two decades,it is not difficult to see that"large"literary journals have gone through the process from legalization to being questioned to legalization.In this process,it presents various Paradoxes,although they are different,but in the final analysis,they all stem from the rapid transformation of society and the constant collision and dialogue of the traditional structure of the"large"magazines.They are rooted in the deep paradox of the self-discipline and other disciplines of literary development.
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