“效体”误读与高丽朝鲜词的另一种活力  

The Misunderstanding of Imitating-Style and the Another Kind of Vitality of Song Lyrics in Goryeo and Joseon Dynasty

作　　者：叶晔[1] Ye Ye

机构地区：[1]浙江大学中国语言文学系

出　　处：《国学学刊》2021年第2期94-105,142,143,共14页Research in the Traditions of Chinese Culture

摘　　要：与唐宋词创作中为数不多的"效体"案例相比,在深受唐宋词东传影响的高丽朝鲜词创作中,"效体"概念的使用相当频繁。但受东亚汉文学中居于绝对主导地位的诗歌文本形态的支配,及词籍在朝鲜半岛传播、阅读的局限,高丽朝鲜词人在"效体"创作中出现了诸多误读,表现为从词人的整体风格偏移至词篇的特定风格、简单地视"效体"为"用调"、基于词调本意的创作类型化等样态,形成了一些自具传统的在地化特点。用概念史的动态眼光,观察这一类误读行为,既可探索域外词发展中有别于中国词发展主流的别样活力,亦可返观中国词发展中因历代创作的繁荣而被消泯或稀释的其他可能。Unlike the limited cases of imitating-style in Tang and Song Dynasty,the term of imitating-style had been used generally in the creation of song lyrics in the Korean Goryeo and Joseon Dynasty.At that time the Korean song lyrics was greatly influenced by poetry text which had the dominant position in East Asian Chinese literature,as well as the transmission and reading of the collected works of song lyrics in Korea was limited.Therefore,there were many misunderstandings in imitating-style creation,such as diversion from the overall style of the lyricist to the specific style of the lyrics,understanding imitating-style simply as using the same tune of song lyrics,and typological composition based on the original intention of the lyric tune,which can be seen as local features of Korean song lyrics which have their own traditions.From the dynamic aspect of conceptual history,these misunderstandings can let us look into a different vitality from the mainstream of Chinese song lyrics developed abroad,as well as look back to the possibilities in the development of Chinese song lyrics,although there may be no place for them to be developed in the already too prosperous creation activities of Song lyrics in the following dynasties.

关 键 词：朝鲜词 效体 献仙桃 法驾导引 巫山一段云 

分 类 号：I312.073[文学—其他各国文学]