乡土中国的觉醒与乡土文学的动向——以贺享雍“时代三部曲”为中心  

The Awakening of Rural China and the Trend of Rural Literature:Focuses on"The Age Trilogy"of He Xiangyong

作　　者：周毅[1] ZHOU Yi(The College of Literature and Journalism, Sichuan University,Chengdu,Sichuan 610207)

机构地区：[1]四川大学文学与新闻学院,四川成都610207

出　　处：《绵阳师范学院学报》2021年第7期45-50,共6页Journal of Mianyang Teachers＇ College

基　　金：四川大学川大学派培育项目、四川大学文学与新闻学院2020年本科教学改革项目“创意写作理论与实践”;四川大学中央高校基本科研业务研究专项(哲学社会科学)项目“21世纪中国文学史论”(skcb201401)阶段性成果。

摘　　要：贺享雍的乡村叙事产生了巨大的社会反响,对推动政策的优化和农村的发展起到了溢出文学边界的更大功能。“时代三部曲”聚焦精准扶贫与乡村振兴的时代巨变,成功塑造了脱贫攻坚第一书记群像,艺术地再现了乡土中国的觉醒,反映出乡土文学的新变。以乔燕为代表的扶贫干部不仅带领村民走出贫困,还为乡村迎来了新的发展契机和希望之光。He Xiangyong's rural narration has produced a huge social response,which has a greater function of overflowing the literary boundary to promote the optimization of policies and the development of rural areas."The Age Trilogy"focuses on the great changes of the Times of targeted poverty alleviation and rural revitalization,has successfully shaped the group portraits of the first secretary of the fight against poverty,and artistically reproduces the awakening of rural China and reflects the new changes of rural literature.The poverty alleviation cadres represented by Qiao Yan not only lead the villagers out of poverty,but also usher in a new development opportunity and a light of hope for the countryside.

关 键 词：贺享雍 “时代三部曲” 乡土中国 乡土文学 脱贫攻坚 乡村振兴 

分 类 号：I207.4[文学—中国文学]