略论《诗经》典礼仪式乐歌创作的典范性  

The Book of Songs Established a Model of the Creation of Ceremonial Songs

作　　者：亓晴 Qi Qing

机构地区：[1]河南大学文学院

出　　处：《励耘学刊》2021年第1期84-108,397,398,共27页

基　　金：中国博士后科学基金第65批面上资助项目“《诗经》模式化书写研究”,项目编号:2019M652530;河南省教育厅2020年度人文社会科学研究项目“周代礼乐背景下的《诗经》模式化书写研究”,项目编号:2020-ZZJH-071。

摘　　要：《诗经》中的郊庙祭祀、燕飨祝颂等典礼仪式乐歌为后世同类仪式乐歌创作确立了典范。首先,后世郊庙祭祀乐歌、燕飨祝颂乐歌在书写内容方面延续了《诗经》乐歌的仪式化特色,完全依据仪式需求进行书写;其次,《诗经》郊庙祭祀乐歌的言说主体具有“身份继承”的仪式化特色,燕飨祝颂乐歌的言说主体具有“立场言说”的仪式化特色,这也成为后世同类乐歌创作所遵循的规范;最后,《诗经》典礼仪式乐歌在创作方式上还具有“仪式套语的运用”和“从特定书写变为仪式通用”两点特色,这也对后世典礼仪式乐歌的创作产生了深远影响。In The Booh of Songs,the songs used in suburban worship,temple sacrifice,noble banquet,ancestor praise and other rituals set a good example for later generations to create similar ritual songs.First of all,the later music used in suburban sacrifice,temple sacrifice,noble banquet and ancestor praise continued the ritual characteristics of the music content of the book of songs.The content of the music is completely written according to the needs of the ceremony.Secondly,the main body of the speech expression of the songs used in the sacrificial rites in the book of songs has the ritual feature of“identity inheritance”.The main body of the speech expression of the music songs of the noble banquet and the music songs of praising the ancestors has the ritual feature of“position speech expression”.Both of them have become the norms followed by the creation of similar songs in later generations.Finally,in the way of creation,the ritual songs in the book of songs have two characteristics,“using the fixed language mode in line with the ritual”and“changing from the writing of specific occasions to the general writing mode of various rituals”.These two characteristics also have an impact on the creation of ceremony songs in later generations.

关 键 词：诗经 仪式乐歌 仪式化 典范性 

分 类 号：I207.22[文学—中国文学]