后五四时代一部具有标本意义的文学史著作——读梁乙真《中国文学史话》  

A Literary History Work with Specimen Significance in the Post-May 4th Era--Reading Liang Yizhen's The Story of Chinese Literature

作　　者：杜近都 陈文新[1] Du Jindu;Chen Wenxin

机构地区：[1]武汉大学文学院

出　　处：《励耘学刊》2021年第1期374-393,408,共21页

基　　金：国家社科基金重大招标项目“中国文学史著作整理,研究及数据库建设”,项目编号:17ZDA243。

摘　　要：初版于1934年的《中国文学史话》是民国时期文学史家梁乙真编写的一部教科书性质的中国文学史著作。梁乙真以编者为自我定位,博采众家,较为及时地运用新文献,吸收新观点,阶段性反映了20世纪30年代前期中国文学史研究的水平,为文学史书写贡献了“集体”的声音,在后五四时代具有显著的标本意义。而“自律论”文学史观和对“有趣味的学术”的追求,则是其学术个性的体现,对当下的文学史书写如何平衡“集体”与“个人”的关系仍有启发意义。The Story of Chinese Literature,first published in 1934,is a textbook work on the history of Chinese literature compiled by Liang Yizhen,a literary historian of the Republic of China.Liang Yizheng regarded himself as an editor,collected from many scholars,used new documents timely and absorbed new viewpoints,which reflected the research level of Chinese literary history in the early 1930s,contributed the“collective”voice to the writing of literary history,and had a significant specimen significance in the post-May 4th era.The“self-discipline”theory of literary history and the pursuit of“interesting scholarship”are the embodiment of his academic personality,and it is still enlightening to how to balance the relationship between“collective”and“individual”in the writing of contemporary literary history.

关 键 词：梁乙真 文学史书写 纯文学观 有趣味的学术 

分 类 号：I209[文学—中国文学]