颠覆与抑制:新历史主义视角下的《别名格雷斯》  

Subversion and Containment:Alias Grace from the Perspective of New Historicism

作　　者：赵琳 ZHAO Lin(Hunan Normal University,Changsha Hunan 410081)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《浙江万里学院学报》2021年第4期86-90,共5页Journal of Zhejiang Wanli University

摘　　要：玛格丽特·阿特伍德创作的小说《别名格雷斯》是对旧历史真实观的反思之作。用新历史主义的“颠覆”和“抑制”概念来解读这本小说,可以看到:在历史与文本交互的维度上,以往的文本对玛格丽特·阿特伍德塑造格雷斯形象起到了一定的抑制作用,但阿特伍德从格雷斯被阶级和性别双重压迫的真实历史处境出发,解构并重构格雷斯的形象,从而起到颠覆以男权为中心的官方历史的效果。在小说内部则具体表现为,受男权话语抑制和颠覆合力影响的格雷斯形象在疯癫与理性之间的交替转换。Margaret Atwood’s novel Alias Grace is a work of reflection on the truth of old historicism.Interpreting this novel with the concepts of"subversion"and"containment"of new historicism,we can see that in the dimension of interaction between history and text,the previous texts have played a role in Margaret Atwood’s portrayal of Grace’s image at certain degree of restraint,but Atwood deconstructed and reconstructed Grace’s image from the real historical situation of Grace being oppressed by both class and gender,thereby subverting the official history centered on patriarchy.In the novel,it is specifically manifested as the alternate conversion between madness and rationality in the image of Grace,which is affected by the combined force of patriarchal discourse suppression and subversion.

关 键 词：玛格丽特·阿特伍德 《别名格雷斯》 新历史主义 颠覆 抑制 

分 类 号：I106.4[文学—世界文学]