20世纪80年代中国鲁迅研究历史批判--以《狂人日记》阐释史为中心  

Historical Criticism of Studies on Lu Xun in China in 1980s--Focusing on the Interpretive History of A Madman's Diary

作　　者：赵珍[1] 刘春勇[1] ZHAO Zhen;LIU Chun-yong(School of Humanities,Communication University of China,Beijing 100024,China)

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《杭州师范大学学报（社会科学版）》2021年第4期53-63,共11页Journal of Hangzhou Normal University(Humanities and Social Sciences)

基　　金：国家社会科学基金一般项目“鲁迅与中国传统‘文章’的创造性转化研究”(16BZW133)的研究成果。

摘　　要：在中国文学史上,《狂人日记》的存在是独一无二的。纵观百年《狂人日记》阐述史,其中交缠着政治、文化与百年间知识分子的思想精神变迁,是知识分子自我建构的一面镜子。通过史料梳理的方式,回溯20世纪80年代《狂人日记》的阐释史,剖析其中所寄寓的学者们的自我意识及其对现实的指向,尤其关注新启蒙思潮中提出关键性理论的研究者——王富仁、钱理群、汪晖的《狂人日记》研究,还原新时期知识分子的思想变迁史。In the history of Chinese literature,A Madman's Diary is a unique existence.Throughout the interpretative history of A Madman's Diary,it is a mirror of intellectuals'self-construction,which is intertwined with politics,culture and the ideological and spiritual changes of intellectuals in the past century.By studying the historical documents,this paper aims to trace back the interpretative history of the novel in the 1980s and analyze the self-consciousness of the scholars and their orientation to the reality,with special focus on its studies by the key theorists in the new enlightenment thoughts,such as Wang Furen,Qian Liqun and Wang Hui,so as to restore the ideological change of intellectuals in the new period.

关 键 词：鲁迅研究 《狂人日记》 新启蒙 王富仁 钱理群 汪晖 

分 类 号：I210.6[文学—中国文学]