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作 者:张旭东[1] ZHANG Xu-dong(School of communication,Nanyang Institute of Technology,Nanyang 473004,China)
出 处:《南阳理工学院学报》2021年第3期54-58,66,共6页Journal of Nanyang Institute of Technology
摘 要:20世纪80年代中期兴起的寻根小说,其理论主张呈现出明显的“文化守成”倾向。这主要表现在三方面:其一,主张回归传统文化,追求本土文化身份认同;其二,反思工具理性的启蒙现代性,张扬审美现代性;其三,追求自然环境生态和人文精神生态的双重和谐。寻根小说作家力图通过探寻中国传统文化的优势及劣势,来对自身文化进行重造,使其更好地参与全球文化交汇,从而完成传统文化的“创造性转化”。寻根小说的这种“文化守成”价值理念,一定程度上体现了对西方启蒙现代性的反思,其对多元现代性的自觉追求有着显性的价值和意义,但在创作实践中所暴露出的理念偏颇也值得警惕。Although strictly speaking,the root-seeking Novels which rising in the 1980s,its theoretical propositions are not entirely consistent with cultural conservatism,even often contradict each other,but in general,the root-seeking Novels have obvious“cultural conservatism”tendency.It is mainly manifested in the following three points:firstly,advocating to return to traditional culture and pursuing local cultural identity;secondly,reflecting enlightening modernity and publicizing aesthetic modernity;thirdly,pursuing the dual harmonious of natural environment and humanistic ecology.The Root-searching writers strive to reconstruct the oriental culture by exploring its thinking and aesthetic tendency and the advantages and disadvantages of traditional Chinese culture,in order to preferably participate in cross-cultural intercommunion and bring about the creative transformation of traditional Chinese culture;moreover,Reflecting and questioning of the modernity of enlightenment.The consciousness of this diversity is obvious,however,the concept of the creation of the practice of exposure is also worthy of vigilance.
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