清代雁门冯氏家族的诗学家法及其流变  

The Domestic Disciplines of Feng Family’s Poetics in Yanmen of Qing Dynasty and Its Evolution

作　　者：郭庆财[1] GUO Qing-cai(School of Chinese and Literature,Shanxi Normal University,Linfen Shanxi 041004,China)

机构地区：[1]山西师范大学文学院,山西临汾041004

出　　处：《太原理工大学学报（社会科学版）》2021年第4期81-88,共8页Journal of Taiyuan University of Technology(Social Science Edition)

摘　　要：清代雁门冯氏作为重要的文化世家,其家风主要有修身自律、孝友爱亲、忠君爱国、诗书继世等方面,该家族的诗学“家法”就是由此文化土壤中生长起来的;而冯如京的诗歌创作和相关理论则有为家族诗学“立法”的意义:其诗作以国家之念和桑梓之情为重要主题,根柢性情而纬以时事,且以陶、杜为诗学楷模。这种家法得到了家族后人的广泛认同和长期延续。不过,后人在继承冯如京的同时也发生了一些变化,如酬唱诗、题画诗的大量出现,由尊崇陶杜转而崇尚苏黄,以及诗歌的学问化倾向等,皆带有明显的宋诗化色彩,这种变化与京城文学圈的影响有很大的关系。The cultural features of Feng Family of Yanmen in Qing Dynasty mainly include self-discipline,showing respect for parents and brothers,patriotism and loyalty to the throne,and literature inheriting,etc.,which is the soil of family poetics disciplines.Feng Rujing’s poet writing and relevant theory established the disciplines for the family poetics.The main themes of his poets are concerns about the country and affection for his hometown,emphasizing the root in spirit and reflection of the reality.In addition,he took Tao Yuanming and Du Fu as his models for composing poems.The domestic discipline gained wide acceptance among his posterity,and continued for generations.Changes occurred in the inheritance of Feng Rujing’s discipline,including a substantial number of responding poems and poems inscribed in paintings,the switch in models from Tao Yuanming and Du Fu to Su Shi and Huang Tingjian,and the scholarly tendency,all in the style of Song peoms and connected with the influence of Beijing literary community.

关 键 词：家风 诗学家法 冯如京 京城文学圈 

分 类 号：I209.9[文学—中国文学]