文化民族主义视角下格雷戈里夫人的独幕剧创作特色探究  

On Artistic Features of Lady Gregory’s One-Act Plays from Perspective of Cultural Nationalism

作　　者：殷艳 YIN Yan(School of Foreign Languages,Tourism and Culture College,Yunnan University,Lijiang 674199,China)

机构地区：[1]云南大学旅游文化学院外语学院,云南丽江674199

出　　处：《红河学院学报》2021年第4期152-156,共5页Journal of Honghe University

摘　　要：爱尔兰文艺复兴运动的领军人物之一的格雷戈里夫人是一位优秀的剧作家。她从振兴本民族文学传统出发,创作了十多部深受当时观众喜爱的独幕农民喜剧。这些独幕剧不但传承爱尔兰的喜剧传统,而且塑造了不少鲜明的普通人物形象,喜剧的狂欢效果体现出爱尔兰人热情、爽朗的民族性格,剧情更是与爱尔兰民谣交织在一起,对于启迪和激励广大民众有着重要的作用。As one of the leading characters in the"Irish Revival",Lady Gregory is also an excellent playwright.She writes more than ten well-received one-act plays,aiming at reviving the Irish literary tradition.These one-act plays not only inherit the Irish comic tradition,but also portrait many distinctive ordinary characters.The carnival atmosphere also reflects the passionate,open-minded national disposition.Folk songs are interwoven with the plot,which plays an important role in encouraging and inspiring the ordinary Irish people.

关 键 词：文化民族主义 格雷戈里夫人 独幕剧 狂欢效果 民谣 

分 类 号：H31[语言文字—英语]