《磨尘鉴》传奇对于唐明皇故事研究的新价值——兼谈中国叙事文化学文献搜集方法的实践意义  

The New Value of the Legendary Drama Mo Chen Jian in the Study of the Story of Emperor Tang Ming-Huang--Also on the Significance of Literature-Collecting Methods of Chinese Narrative Culture

作　　者：李春燕[1] Li Chunyan

机构地区：[1]枣庄学院文学院

出　　处：《文学与文化》2021年第2期46-53,共8页Literature and Culture Studies

摘　　要：《磨尘鉴》传奇是唐明皇故事研究中发现的新材料。剧作以黄幡绰进谱导戏、培训梨园弟子为主线,对唐五代的宫廷梨园故事进行了素材聚合与艺术虚构,塑造了"德艺双馨"的梨园艺人群像,演出了一部艺人眼中的戏曲梨园开创史。该剧充实了唐明皇梨园故事体系,开启了梨园故事的文学与文化研究之门,为梨园文化定位以及梨园文化精神内涵的提炼提供了研究空间。《磨尘鉴》传奇对于唐明皇故事研究的新价值,显示了中国叙事文化学文献搜集方法的实践意义。The Legendary Drama Mo Chen Jian is the new-found material in the study of stories about Emperor Tang Ming-Huang.The main line of the play is that Huang Fanchuo contributed the script,directed the play,and trained the actors.The play is an artistic fabrication,adapted from the pear orchard story in the last years of the Tang dynasty and the Five Dynasties.It shaped the artists example with good reputation of both behavior and skills,revealing a history of theatrical creation of opera pear orchard from the artists’view.It enriched the story of Emperor Tang Ming Huang’s pear orchard and opened the research door of literature and culture of pear orchard stories,definding the pear orchard culture and helpful to the research for the orientation and spiritual connotation of theatrical culture.The new research value of the Legendary Drama Mo Chen Jian for the story of Emperor Tang Ming-Huang shows the significance of the collection method of the Chinese narrative culture.

关 键 词：中国叙事文化学 唐明皇故事 《磨尘鉴》 梨园文化 

分 类 号：I207.37[文学—中国文学]