陕南羌族民间服饰艺术风格探究  

Study on the art style of Qiang Nationality folk dress in Southern Shaanxi

作　　者：张惠[1] Zhang Hui(School of Art,Shaanxi University of Technology,Hanzhong 723000,China)

机构地区：[1]陕西理工大学艺术学院,陕西汉中723000

出　　处：《纺织报告》2021年第7期113-114,共2页

基　　金：汉水上游羌族民间美术研究(HS202018)。

摘　　要：羌族是中国历史上最为悠久的一个民族,最早作为一个游牧民族,羌族人民"逐水草而居",后"依山而居、垒石为室",在漫长的迁徙历史中,羌族人民创造出丰富而厚重的历史文化。其中,服饰是羌族人民最为重要的一个艺术表现形式。陕南羌族的服饰具有朴素的特质,同时也不失华美。陕南地区的羌族聚集地主要在宁强和略阳两地。古时,羌族迁移至此,与当地的汉族通婚、共同生活,逐渐形成了具有地域特征的服饰文化。文章重点从陕南羌族人民的服饰形制、特点、纹样、功用等方面进行分析。Qiang Nationality is the nation with the longest history in China.As a nomadic nation,the Qiang people“lived by water and grass”,and then“lived by the mountains and building stones as the room”.In the long migration history,Qiang people created rich and profound history and culture.Among them,dress is the most important form of artistic expression of the Qiang people.The dresses of the Qiang Nationality in Southern Shaanxi have simple characteristics and are also beautiful.Qiang gathering places in Southern Shaanxi are mainly in Ningqiang and Lueyang.In ancient times,the Qiang people migrated to this point,and intermarried and lived with the local Han people together,and also gradually formed dress culture with regional characteristics.The article focuses on the analysis of the dress shape system,characteristics,patterns and function of the Qiang people in Southern Shaanxi.

关 键 词：陕南 羌族 服饰 艺术风格 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程]