范式之外的女性生活--张爱玲的自传性小说对《可怜的秋香》的引用与重新诠释  

A Woman s Life Beyond the Norm:The Reference and Re-interpretation of the Folk Song Poor Girl Qiuxiang in Eileen Chang s Autobiographical Novel

作　　者：陆洋 LU Yang(Nanjing University of Information Science&Technology,Nanjing 210044,China)

机构地区：[1]南京信息工程大学文学院,江苏南京210044

出　　处：《山东女子学院学报》2021年第5期45-53,共9页Journal of Shandong Women＇s University

摘　　要：张爱玲赴美后创作的自传性小说《雷峰塔》《易经》中引用了20世纪20~40年代脍炙人口的歌曲《可怜的秋香》,歌曲通过秋香与金姐、银姐经历的对比显示了爱情、婚姻和家庭对当时女性人生的重要性。小说中,歌曲的三次引用分别出现在女主人公琵琶成长期的三个不同阶段,每个阶段中的引用产生的互文效果都有所不同。主人公的自我意识建构从对歌词内容的顺向模仿到逆向翻案,体现出从幼年到少年,琵琶对婚姻、家庭、职业的思考。创作自传性小说不仅是张爱玲回溯个人历史、在过去和现在之间建立身份连续性的尝试,更是她对在20世纪20~60年代之间所体验的女性主义运动影响的总结和反思。Poor Girl Qiuxiang,a song widely spread during the Republic of China era was cited in the autobiographical novel The Fall of the Pagoda and The Book of Change written by Eileen Chang after she went to US.By comparing the life experience of character Qiuxiang with her sisters Gold and Silver,the song reveals the importance of marriage and family in the measure system of woman s accomplishment.In the novel,the song appeared three times in three different periods of the protagonist Lute s adolescence and established different intertextual meanings.The correspondence between the construction of the lyric in the song and the self-conscious construction of Lute indicates a tendency of relativization in her idea toward marriage,family and career from childhood to youth.The article suggests that autobiographical writing helped Eileen Chang to trace her individual history to build a continuous identity as well as summarizing and reflecting on the feminist movement she experienced between 1920-1960s.

关 键 词：张爱玲 《可怜的秋香》 自传性小说 《雷峰塔》 《易经》 

分 类 号：I246.7[文学—中国文学]