平等之爱:耽美强强文的崛起与女性诉求的转型  

Equal Love:The Rise of Boy s Love Fiction and the Transformation of Women s Expectations

作　　者：薛英杰[1] XUE Ying-jie(Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《山东女子学院学报》2021年第5期54-65,共12页Journal of Shandong Women＇s University

摘　　要：近年来以强攻强受为模式的耽美小说逐渐崛起,已经成为耽美小说的主要分支与影视改编的重要对象。随着性别平等意识的增强,越来越多的耽美读者不满于女性在异性恋关系中的弱势地位,开始反思传统强攻弱受文所制造的性别刻板印象与不平等权力关系。与读者的阅读诉求相呼应,耽美强强文使用多种策略建构了攻受之间的对等关系,不仅强调双方共有的强大精神力量,也塑造了以共同成长、灵魂沟通为特点的平等爱情。改编自耽美强强文的网络剧《镇魂》与《陈情令》虽然摒弃了原著中同性之爱的设定,但是呈现了主人公在权力上的平等关系与精神上的彼此认同,以浪漫友谊的形式满足了女性观众对于平等爱情的观看诉求。Boy s love fiction which describes the passions between two strong male characters has gained great popularity in recent years.It is both one of the main types of Tanbi fiction and an important object of drama adaptation.Due to the increasing awareness of gender equality,more and more Tanbi readers become dissatisfied with women s inferior positions in heterosexual relationships and begin to reflect on gender stereotypes and unequal power relations produced by strong-female-and-weak-female fiction.In response to readers expectations,boy s love fiction employs multiple strategies to construct the equal relations between the gong and the shou.It not only emphasizes the spiritual strength shared by both parties,but also depicts equal love marked by mutual growth and soul communication.Two web series,zhenhun and chenqing ling,are derived from boy s love fiction.Both of them replace same-sex love in the original works with romantic friendship on the basis of equal power relations and mutual spiritual recognition,which satisfies female audience s desire for equal love.

关 键 词：耽美强强文 读者诉求 影视改编 平等之爱 浪漫友谊 

分 类 号：G122[文化科学]