八旗绘画理论浅议  

On the Theory of Eight Banners Painting

作　　者：张佳生 ZHANG Jia-sheng(Liaoning Ethnic and Religious Liaison and Public Opinion Center,Shenyang 110032,China)

机构地区：[1]辽宁省民族宗教联络与舆情中心,沈阳110032

出　　处：《满语研究》2021年第1期130-135,共6页Manchu Studies

基　　金：国家社会科学基金项目(项目编号:18BZW061)。

摘　　要：在清代八旗人群当中,上至皇帝、王公,下至文人、闺秀,都有画家出现,其中最为著名的毎家是满洲唐岱和汉军高其佩。八旗画家还在山水、花鸟、人物及指头画方面,总结出不同的绘画理论,以此构成八旗画坛的特色。清代八旗绘画艺术,以中原"参汉斟金"的思路进行创作,不仅取得令人瞩目的成就,也以其独创性推进清代绘画艺术的繁荣。In the Eight Banners of the Qing Dynasty,there were painters from emperors and princes to literati and ladies.The most famous painters were Tang Dai of Manchuria and Gao Qipei of the Han army.At the same time,the Eight Banners painters also summarized different painting theories in landscape,flowers and birds,figures and finger paintings,which constitute the characteristics of the Eight Banners painting world.The Eight Banners painting art of the Qing Dynasty was created based on the idea of"Participating in the Han Dynasty"in the Central Plains.It not only achieved remarkable achievements,but also promoted the prosperity of Qing Dynasty painting art with its originality.

关 键 词：清代八旗 绘画理论 成就特点 

分 类 号：C95[社会学—民族学]