基于舞台真实理论的河西走廊民族旅游协同发展模式研究  

Research on the Cooperative Development Model of Ethnic Tourism in Hexi Corridor Based on the Theory of Stage Reality

作　　者：卢丽 LU Li(College of History,Culture and Tourism,Hexi University,Zhangye 734000,Gansu,China)

机构地区：[1]河西学院历史文化与旅游学院,甘肃张掖734000

出　　处：《边疆经济与文化》2021年第6期60-63,共4页The Border Economy and Culture

基　　金：河西学院校长基金项目(XZ2018023);甘肃省哲学社会科学规划项目(20YB096);甘肃省科学计划资助项目(20CX9ZG119)。

摘　　要：舞台真实理论在民族旅游研究中具有很好的指导意义。河西走廊民族旅游舞台化的构建应以"求同存异"为目标。各自治县要在"前台"做精做强本地旅游产品,以"求异"为目标,将河西走廊民族文化多元化展示。"后台"要以"存同"为目标,通过学校、家庭和社区等教育和培训渠道,保障民族文化的有效传承,促进民族文化的保护和旅游开发的良性循环。The theory of stage reality has a very good guiding significance in the study of ethnic tourism.The stage construction of ethnic tourism in the Hexi Corridor should aim at"seeking common ground while reserving differences".Autonomous counties should make finer and stronger local tourism products at the"front desk",with the goal of"seeking differences",and display the diverse ethnic cultures of the Hexi Corridor.The"backstage"should aim at"existence"and ensure the effective inheritance of ethnic culture through education and training channels such as schools,families,and communities,and promote the protection of ethnic culture and a virtuous circle of tourism development.

关 键 词：舞台真实 河西走廊 文化保护 旅游开发 

分 类 号：F592[经济管理—旅游管理]