文化断裂与艺术构建——中国戏剧晚熟问题的思考  

Cultural Discontinuity and Art Construction:Reflections on the Late Maturity of Chinese Drama

作　　者：曹飞 王加昕 CAO Fei;WANG Jia-xin(School of Media,Shanxi Narmal University,Linfen,Shanxi 041004,China)

机构地区：[1]山西师范大学传媒学院,山西临汾041004 [2]山西师范大学戏剧与影视学院,山西临汾041004

出　　处：《山西师大学报（社会科学版）》2021年第5期106-111,共6页Journal of Shanxi Normal University(Social Science Edition)

基　　金：国家社会科学基金重大项目(17ZDA244);山西师范大学科技创新项目(01053015)。

摘　　要：中国戏剧晚熟的现象一直是学术界关注的话题,各种观点林林总总,从不同的角度为回答这一问题做出了贡献。但这个问题似乎还有进一步研究的空间。笔者认为:中国传统文化的特点以及这个特点之被消解,也应该是必须考虑到的重要因素之一。首先,中国传统文化建立在儒家经世哲学和道家艺术精神的基础上,在这种文化传统的背景下,不太可能产生真正的戏剧。其次,只有当这种传统文化在一定程度上被消解,才会造就戏剧成熟的温床。而元代的社会政治环境,正好实现了这一重要的转折,历史性地为中国戏剧的成熟铺平了道路。The phenomenon of the late maturity of Chinese drama has always been a topic of concern in academic circles.Various viewpoints have made great contributions to answering this question from different perspectives.However,there seems to be room for further research on this issue.The authors believe that the characteristics of Chinese traditional culture and its elimination should also be one of the important factors that must be considered.First of all,Chinese traditional culture is based on Confucian philosophy and Taoist artistic spirit.Under the background of this cultural tradition,it is unlikely to produce real drama.Secondly,only when this traditional culture is dispelled to a certain extent can a hotbed of drama maturity be created.The social and political environment of the Yuan Dynasty just realized this important turning point,paving the way for the maturity of Chinese drama historically.

关 键 词：元代 戏剧晚熟 文化断裂 

分 类 号：I207.37[文学—中国文学]