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作 者:孙晓梅 张倩倩 张伟 曹红娟 高谊 Sun Xiaomei;Zhang Qianqian;Zhang Wei;Cao Hongjuan;Gao Yi(Department of Physical Education,Nankai University,Tianjin300071,China;Department of Physical Education,Shanghai Jiaotong University,Shanghai200240,China)
机构地区:[1]南开大学体育部,天津300071 [2]上海交通大学体育系,上海200240
出 处:《中华武术》2021年第7期87-90,共4页
摘 要:配乐已是竞技太极拳套路中不可或缺的因素之一。本文从诠释配乐演练和竞技太极拳套路配乐演练的界定入手,采用文献资料法、观察法、归纳法、个案分析法对竞技太极拳套路的配乐进行简析。结合竞技太极拳套路与配乐的联系、意义进行分析,掌握配乐的原则和方法。认为竞技太极拳套路根据演练风格进行配乐,全新定义了太极拳演练美感。Soundtrack is already one of the indispensable factors in competitive taijiquan(tai chi chuan, a kind of traditional Chinese shadow boxing) routines. Starting with the definition of interpreting the soundtrack exercises and competitive taijiquan repertoires, through literature review, observation, induction, and case analysis, this paper briefly analyzes the soundtracks of competitive taijiquan routines, the connection as well as the meaning of competitive taijiquan routines and the soundtrack, and masters the principles and methods of the soundtrack. It is concluded that, the competitive taijiquan repertoire should be scored according to the practice style and the beauty of taijiquan exercises are re-defined.
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