台湾新电影与乡土文学关系研究  

Research on the Relationship between Taiwan's New Film and Local Literature

作　　者：鲁政 LU Zheng(Institute of Minnan Culture Research/School of Liberal Arts,Minnan Normal University,ZhangzhouFujian 363000,China)

机构地区：[1]闽南师范大学闽南文化研究院/文学院,福建漳州363000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2021年第7期118-120,127,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：20世纪台湾发生的两次乡土文学论战,分别为台湾注入了写实风潮与批判意识。诞生于80年代的台湾新电影,紧跟70年第二次乡土文学论战之后,是对台湾乡土文学文化内涵的继承与延续。台湾电影经历70年带由繁华到衰落的阶段性大起大落之后,期待自我面貌的革新。至80年代,台湾电影发展有了区别于以往的精神内涵,开始与社会相关联,与此前代发展至高峰的乡土文学一脉相承。从80年代开始,一批高质量乡土电影陆续问世。众多的乡土文学作品被吸收至影视媒介,成为新电影作品中不可或缺的创作来源。乡土文学与新电影之间的密集互动,展示了两者之间的密切关联性。Two local literature debates which happened in 20th century brought realistic trend and critical awareness to Taiwan.Taiwan new film,which was born in the 1980s,followed the second local literature debate in 1970s,and it was a continuation of the cultural about Taiwan's local literature.With the film Industry going from prosperity to decline through 1970s,filmmakers looked forward to a innovation of their own outlook.In the 1980s,Taiwan film developed a spiritual connotation which was different from the past,it began to be associated with society,having the same spirit as the local literature.Since the 1980s,a number of high-quality movies have been published,which were adapted from the local literature.Meanwhile,local literature became an indispensable source in new film works.Intensive interaction between local literature and the new film shows that they were in close connection.

关 键 词：乡土文学 新电影 关系 

分 类 号：J905[艺术—电影电视艺术]