《收获》与实验文学的经典化  

The Harvest and the Classicization of Experimental Literature

作　　者：陈丽军 CHEN Li-jun(SDX Joint Publishing Company,Beijing,100010)

机构地区：[1]生活·读书·新知三联书店,北京100010

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2021年第7期140-145,共6页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：从1957年创刊起,无论是从主办者、主编、编委会成员,还是从已经刊发的作品来看,《收获》都已经拥有丰厚的象征资本,是首屈一指的文学名刊、大刊。具有文学权威性的《收获》在80年代连续三年刊发实验文学作品,包括实验小说、实验话剧、实验诗歌等,其中小说作者范围基本涵盖了日后文学史家所谓的“先锋小说家”群体。它将全国四处分散的“实验”作家们聚集起来,集聚产生力量,使得“弱势”的实验文学凭借其象征资本迅速为批评界接受,并走向文坛中心。Since its establishment in 1957,the Harvest has been a leading literary magazine with symbolic capital,whether from the sponsors,editor-in-chief,members of the editorial board,or from the works that have been published.The Harvest,an authoritative literary work,published experimental literary works for three consecutive years in the 1980's,including experimental novels,experimental dramas,and experimental poems,among which the scope of writers basically covered the group of“experimental novelists”that literary historians later called.It gathers“experimental”writers scattered all over the country,which not only generates power,but also makes“weak”experimental literature quickly accepted by the literary circle with its symbolic capital and move toward the center.

关 键 词：《收获》 80年代实验文学 经典化 

分 类 号：I206.7[文学—中国文学]