常州淹城博物馆明铜镜在文创产品中的设计运用  

Design and Application of Ming Dynasty Bronze Mirror in Cultural and Creative Products of Changzhou Yancheng Museum

作　　者：李丹[1,2] 杨程 Li Dan;Yang Cheng(Changzhou University,Changzhou 213016,China;Zhejiang University City College,Hangzhou 310015,China)

机构地区：[1]常州大学,江苏常州213016 [2]浙大城市学院,杭州310015

出　　处：《艺术与设计（理论版）》2021年第8期108-109,共2页Art and Design

基　　金：教育部人文社会科学研究规划基金项目(17YJAZH103);国家社科基金艺术学项目(NO.15BG084)。

摘　　要：铜镜承载着所处朝代的经济文化内涵,具有重要的历史和艺术研究价值。文章选取常州淹城博物馆内明代铜镜作为研究对象,通过前期对其相关资料的梳理与分析,提出从铜镜纹样、装饰表现效果、使用方式和造物思想四个方面出发,结合现代审美将我国传统铜镜文化重新融入到日常生活中,设计出蕴含明代铜镜文化内涵的梳妆镜,从而更好地传承和发扬我国传统文化。The bronze mirror carries the economic and cultural connotation of the dynasty and has important historical and artistic research value.This article selects the Ming Dynasty bronze mirror in the Yancheng Museum in Changzhou as the research object.Through the analysis and analysis of its related materials in the early stage,it proposes to start from the four aspects of bronze mirror pattern,decorative performance effect,use method and creation idea,and combine modern aesthetics The traditional bronze mirror culture is reintegrated into daily life,and a dressing mirror containing the cultural connotation of the Ming Dynasty bronze mirror is designed,so as to better inherit and develop our traditional culture.

关 键 词：常州淹城 明铜镜 铜镜纹样 文创产品设计 

分 类 号：TB472[一般工业技术—工业设计]