“自我确认”之旅——论金子光晴的第一次赴欧之旅  

A Journey of Self-Confirmation:On Mitsuharu Kaneko′s First Trip to Europe

作　　者：邱爱杰 潮洛蒙[1] QIU Aijie;CHAO Luomeng(School of Foreign Languages,Tianjin University of Science and Technology,Tianjin 300457,China)

机构地区：[1]天津科技大学外国语学院,天津300457

出　　处：《中国轻工教育》2021年第3期92-96,共5页China Education of Light Industry

基　　金：国家社科基金项目“金子光晴研究”(14BWW013)。

摘　　要：金子光晴创作生涯第一个时期的主要成果是诗集《金龟子》,该作品是其第一次赴欧之旅的成果。然而这次旅行和其成果与金子光晴的第二次赴欧之旅和其“抵抗”特色的诗作相比,只有象征的诗法得到认可,诗歌思想评价不高。当站在“作家论”“创作生涯论”的坐标来审视第一次赴欧之旅,会发现它是金子光晴“诗人”养成路径上的重要一环,是金子光晴“自我”确认之旅。正是通过这次旅行,他的象征诗法、诗人的自觉、内在自我的诉求才得以形成,“自我”书写也成为他日后诗歌创作的主题。The major achievement of Mitsuharu Kaneko in the first phase of his literary career is his poetic collection Koganemushi(Japanese Beetle),which was produced during his first visit to Europe.However,his first visit as well as this collection is not considered as important as his second visit,when he composed poems characterized by the spirit of resistance.Except for his skill in symbolism,the poetic value of this collection has not been warmly received by literary critics.Reexamining Kaneko′s first visit to Europe from the perspective the poet′s entire literary career,we find that it is a crucial stage in his personal growth as a poet,a trip towards his self-confirmation.It is through this visit that his symbolism,his self-awareness as a poet,and his inner voice have developed into the stage of maturity.Since then,writing"for the sake of self"has gradually become the major theme of his poetic works.

关 键 词：金子光晴 第一次赴欧之旅 自我确认 象征主义 内在诉求 

分 类 号：I313[文学—其他各国文学]