中国画美学思想融入古典文学动画片创作的实践研究  

The practical research on the integration of Chinese painting aesthetics into the creation of classical literature cartoon

作　　者：王媛媛[1] WANG Yuanyuan(Qingdao Binhai college,Qingdao 266555,China)

机构地区：[1]青岛滨海学院,山东青岛266555

出　　处：《鞋类工艺与设计》2021年第11期70-72,共3页SHOES TECHNOLOGY AND DESIGN

基　　金：2019年度“传统文化与经济社会发展”专项课题研究论文,课题名称:中国画美学思想与古典文学动画片的创作应用研究;课题编号:CT201911039。

摘　　要：中国画美学思想既是中国传统艺术体系的核心,也是中国传统文化中最绚丽的珍宝,更是历朝历代所有国画大师集体智慧的结晶,也是每一个中国人值得自豪的民族艺术之魂,如何让中国画美学思想和中国画论在新媒体时代得以精神上的延续、在当今时代的动画创作中得以延续、让其在今天和未来都散发独特魅力,是值得每个动画人思考的问题。纵观中国动画史,从不朽的中国动画学派到今天的独立动画学派和诗意动画学派,中国画论在潜移默化中对中国动画创作艺术的提升和国产动画的发展都起到了巨大的推动作用。The aesthetic thought of Chinese painting is not only the core of the traditional Chinese art system,but also the most gorgeous treasure in the traditional Chinese culture,and the crystallization of the collective wisdom of all the Chinese painting masters in previous dynasties,and the soul of national art that every Chinese people should be proud of.How to make the Chinese painting aesthetics and Chinese painting theory continue in the spirit in the new media era It is worth thinking about that animation can be continued in the present era and make it have unique charm in today and in the future.Throughout the history of Chinese animation,from the immortal Chinese animation school to the independent animation school and poetic animation school today,Chinese painting theory has played a great role in promoting the promotion of Chinese animation creation art and the development of domestic animation.

关 键 词：国画美学 中国画论 动画美术 

分 类 号：J212[艺术—美术]