进步电影的概念生成、历史语境与中国电影的学派底蕴  

Concept Generation and Historical Context of Progressive Film and School Deposits of Chinese Film

作　　者：李道新[1] Li Daoxin

机构地区：[1]北京大学艺术学院

出　　处：《电影艺术》2021年第4期19-26,共8页Film Art

摘　　要：在中国电影的历史叙述中,进步电影与进步电影运动也是"被发明的传统"。作为冷战意识形态与电影冷战的结果,进步电影纵横交错地关联着东方西方、海峡两岸从战争到冷战再到后冷战等较长时段的电影历史及观念表达和价值选择。在民族民主运动的历史语境中,进步电影见证政治与商业的博弈、国族与党派的竞合,并在左翼电影与人民电影的对话关系中获得认定,具有跨越国家与地域界限、弥合政治与文化分歧、朝向现实与未来开放的多重功能。In the historical narrative of Chinese film, progressive film and progressive film movement are also "invented traditions". As a result of Cold War ideology and Cold War films, progressive films crisscrossed the long film history and its concept expression and value choices from the War to the Cold War and then to the post-Cold War associated with the East and the West and both sides of the Taiwan Straits. In the historical context of the national democratic movement, progressive films witnessed the game between politics and business, the competition between nations and parties, and gained recognition in the dialogue with left-wing films and people’s films and were qualified with multiple functions of crossing national and regional boundaries, bridging political and cultural differences, and opening up to the reality and future.

关 键 词：进步电影 中国电影学派 左翼电影 人民电影 

分 类 号：J909.2[艺术—电影电视艺术]