都市文明、力量呈示与机械礼赞--论锺鼎文早期诗作的未来主义向度  

Urban Civilisation,the Show of Strength and the Praise of Machinery---On the Futuristic Orientation in the Early Poems of Chung Tin-Wen

作　　者：李朝平[1] Li Chaoping

机构地区：[1]重庆三峡学院文学院

出　　处：《华文文学》2021年第2期11-21,共11页Literatures in Chinese

基　　金：教育部人文社科项目“抗战时期沦陷区新诗史料搜集、整理与研究”,项目编号:20YJA751012。

摘　　要：作为台湾诗坛耆宿的锺鼎文,向为学界所关注,然番草(诗人早期笔名)时期的诗歌却一直乏人问津、鲜有整理。史料表明,锺鼎文是由倾向于未来主义的"狂飙社"诗人高歌荐入文坛的,在未来主义思潮的裹挟下,受马雅可夫斯基、马里内蒂等人之沾溉而进行此类诗歌的尝试。但他却有效避开了未来主义的形式缠绕,直击其精神内核,创作了一大批呈现都市文明、工业文明,表达力量崇拜与机械礼赞的诗歌。由是越过浪漫主义、象征主义的疆界,而与左翼文学相系联,彰显出其诗歌取径及内在构成的驳杂多元。Chung Tin-Wen,a well-known Taiwan Residents poet,has always commanded academic attention although his poetry,written under the penname of Fan Cao,has hardly been studied,with little attention paid.Historical material shows that it is through the recommendation of Gao Ge,a poet from Hurricane Society,that Chung went into the world of letters and began experimenting with such poems under the influence of Futurism,Mayakovsky and Marinetti.By effectively avoiding the formal convolutions of Futurism and directly striking at its spiritual core,he created a large number of poems about urban and industrial civilisation,expressing his admiration for power and praises for machinery,thus going beyond romanticism and symbolism to be associated with left-wing literature,revealing the directions his poetry took and the miscellaneous aspects of its inner composition.

关 键 词：锺鼎文 新诗 未来主义 

分 类 号：I207.22[文学—中国文学]