从感觉结构看雷蒙·威廉斯的现代悲剧观  

An Analysis of Raymond Williams'Concept of Modern Tragedy

作　　者：杨康恩 YANG Kang-en(The Faculty of Literature,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《太原学院学报（社会科学版）》2021年第4期98-104,共7页Journal of Taiyuan University(Social Science Edition)

基　　金：国家社会科学基金重大项目“莎士比亚戏剧本源系统整理与传承比较研究”(19ZDA294)。

摘　　要：西方悲剧概念的内涵经过了从作为一种文学体裁的悲剧到观念悲剧再到社会经验悲剧的变化。威廉斯的现代悲剧观与“感觉结构”的内涵联系紧密。“感觉结构”在美学层面,指涉作品中所反映的与时代相关的支配性观念;在社会层面,指涉社会感觉与社会经验;在主体意识层面,指涉一种现时的实践意识。威廉斯从“感觉结构”出发,审视悲剧传统以及悲剧理论中的问题,发现悲剧传统与社会经验的分离,他主张把悲剧纳入社会经验的范畴,将其理解为社会中的无序状况带来的经验、认识及其解决。这个过程同时也是漫长的革命过程。The connotation of Western tragedy has been extended from being a literary genre to a concept and then to a social experience.The concept of modern tragedy of Williams is closely related to the connotation of"structure of feeling",which refers to the dominant ideas related to the ages reflected in the works in the aesthetic level,to social feelings and social experience in the social level,and to a kind of current practical consciousness in the subjective consciousness level.Starting from"structure of feeling",Williams examines the problems in tragic tradition and tragedy theory,and finds the separation between tragic tradition and social experience.He advocates that tragedy should be included in the category of social experience and understood it as a disordered situation in society,which is also a long revolutionary process.

关 键 词：威廉斯 现代悲剧 感觉结构 革命 

分 类 号：I561.074[文学—其他各国文学]