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作 者:黄清林 柴颖 HUANG Qinglin;CHAI Ying(School of Music and Dance,Kunming University,Kunming,Yunnan,China 650214;Institute of Ethnic Arts,Yunnan Arts University,Kunming,Yunnan,China 650228)
机构地区:[1]昆明学院音乐舞蹈学院,云南昆明650214 [2]云南艺术学院民族艺术研究院,云南昆明650228
出 处:《昆明学院学报》2021年第4期128-132,共5页Journal of Kunming University
摘 要:云南少数民族题材舞蹈创作以丰富的民族资源为依托,在国内舞蹈界独树一帜。改革开放以来,云南少数民族题材舞蹈创作历经三个阶段,诞生了许多特色鲜明的优秀作品。地域文化表征、民族符号表达、时代精神审美为其作品的主要美学特征,而艺术创作与民族资源的紧密关联则是其文思的根本之源。只有植根本土、深挖资源、学习先进、呼应时代的创作,才能使云南少数民族题材舞蹈更好地得到活态传承与当代再生产。Relying on rich ethnic resources,the dance creation of Yunnan provincial ethnic theme is unique in the domestic dance circle.Since the reform and opening up,the dance creation of ethnic groups in Yunnan has gone through three stages,and many excellent works with distinctive characteristics have been born.The representation of regional culture,the expression of ethnic symbols and the zeitgeist aesthetics is the main aesthetic characteristics of the works,and the close relationship between artistic creation and ethnic resources is the fundamental root of the literary thought.The creation of the local root,deep-mining recourses,learning from the forward-thinking and echoing the times can provide better live heritage and contemporary reproduction to the ethnic dance.
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