史学视阈下贵州电影生产的多重话语权探究  

The Multiple Discourses of Guizhou Film Production from the Perspective of Historiography

作　　者：肖艳华 XIAO Yan-hua(School of Literature and Media,Guizhou Education University,Guiyang,Guizhou,550018)

机构地区：[1]贵州师范学院文学与传媒学院,贵州贵阳550018

出　　处：《贵州师范学院学报》2021年第8期11-18,共8页Journal of Guizhou Education University

基　　金：贵州师范学院2020年校级科学研究基金重点项目“贵州电影的发展现状及其问题研究”(项目编号:2020ZD003)。

摘　　要：电影作为文化产业的重要形式,其具化生产实践必然受到电影场域内外多种力量的共同作用与影响。通过考察贵州电影的历史发展,对其主要的生产阶段进行深入研析,发现影响贵州电影生产的话语权主要有以下三种:精英话语权、政治话语权、商业话语权。这几种话语权在不同阶段的贵州电影生产中各有凸显,并直接或间接推动了贵州电影的生产与其独特风格形式的形成。As an important form of cultural industry,film production practice is bound to be affected by multiple forces inside and outside the film field.This article investigates the historical development of Guizhou film and conducts an in-depth analysis of its main production stages,discovering three main discourse powers that affect the production of Guizhou film:elite discourse,political discourse,and commercial discourse.These three kinds of discourse powers are prominent in different stages of Guizhou film production,which promotes the formation of Guizhou film production and its unique style directly or indirectly.

关 键 词：史学视阈 贵州电影生产 多重话语 

分 类 号：J909[艺术—电影电视艺术]