博弈与融合--巴赫金对话理论观照下的《亚瑟王之死》  

Competition and Integration:Analysis of The Death of King Arthur based on Bakhtin’s Dialogue Theory

作　　者：锁娜 SUO Na(School of Foreign Studies,Anhui University,Hefei 230601,China)

机构地区：[1]安徽大学外语学院,合肥230601

出　　处：《合肥工业大学学报（社会科学版）》2021年第4期95-100,共6页Journal of Hefei University of Technology(Social Sciences)

摘　　要：很多中外学者倾向于认为马洛里爵士作为中世纪骑士阶级的代表,其《亚瑟王之死》对骑士阶级乃至欧洲贵族阶级的没落表达了无尽的追忆和惋惜,是一首骑士阶级“最后的挽歌”。然而,若依据巴赫金的对话理论来对作品进行解读,可以发现一个全新的视角甚至是一个全新的文本,即《亚瑟王之死》不仅仅是骑士文学的代表,更是一本与中世纪基督教文化和巫术文化进行着隐秘对话的奇幻小说。Many scholars think that as the representative of chivalric literature in the Middle Ages,Sir Malory’s The Death of King Arthur expresses endless reminiscence and pity towards the decline of chivalry and peerage.This book is the last lament of chivalry in the Middle Ages.Nevertheless,if analyzed from Bakhtin’s dialogue theory,a new view or even a new text would be found.The Death of King Arthur is not only a book related to chivalry but also a book finished under the influence of Christian culture and witchcraft culture in the Middle Ages.

关 键 词：《亚瑟王之死》 对话理论 基督教文化 骑士文化 巫术文化 

分 类 号：I561.074[文学—其他各国文学]