过去性:新中国政治电影的文本叙述——“老三战”电影创作研究  

Text Narration of New China′s Political Movies: A Study on the Creation of Three Wars Movies

作　　者：周安华 ZHOU Anhua(Institue of Humanities and Social Sciences,Shandong University,Qingdao,Shandong 266237,China)

机构地区：[1]山东大学人文社科研究院,山东青岛266237

出　　处：《广州大学学报（社会科学版）》2021年第4期21-25,共5页Journal of Guangzhou University:Social Science Edition

基　　金：国家社会科学基金重大项目(18ZDA262)。

摘　　要：新中国战争电影具有鲜明的影像政治性质,而"老三战"电影在新中国以统一意志重建"人民民主政治"的大背景下,义不容辞地担当起了重要历史使命。作为政治电影,它在尊重历史、表现真实的基础上,更把人物和故事纳入激进的革命表现主义框架中,采取立场明确、善恶分明的"身份定义"方法,在二元对立的战争叙事主调中,划出泾渭分明的敌我双方,寓褒贬于整部影片,激发出高昂、直接和快意的观影感受,服务于特定政治宣传。"老三战"电影开启了一种"人民英雄所向披靡"的叙事模式,包含了深具时代性的政治影像法则,使中国反法西斯题材电影独具韵味,成为新中国罕见的"公民教育文本"。New China′s war movies have a distinct image of the political nature, and The Old Three Wars movies in New China, aiming to rebuild the people′s democratic politics in the context of a unified will, are duty-bound to take on an important historical mission. As political movies, they do not take restoration as their purpose and reproduction as its creative pursuit, but incorporate characters and stories into the framework of radical revolutionary expressionism, adopts the method of identity definition with clear stand and clear distinction between good and evil, and draws a clear distinction between the enemy and ourselves in the main tone of binary opposition war narrative, which is praised and criticized in the whole movies. They stimulate a high, direct and pleasant feeling, and serve specific political advocacy. The Old Three Wars movies open a narrative mode in which people′s heroes are invincible. Their text wisdom is extraordinary, including the political image rules of the times, which makes Chinese anti-fascist movies unique and rare civic education texts in New China.

关 键 词：过去性 老三战 政治电影 文本 叙述 

分 类 号：J902[艺术—电影电视艺术]