小说《血痕花》的域外因素、革命观念和性别想象  

The Foreign Factors,Revolutionary Ideas and Gender Imagination in the Novel Xue Hen Hua

作　　者：陈莹[1] Chen Ying

机构地区：[1]北京语言大学

出　　处：《中国比较文学》2021年第3期107-121,共15页Comparative Literature in China

基　　金：国家社科基金重大项目“百年中国文学女性形象谱系与现代中华文化建构整体研究”(编号:19ZDA276)的阶段性成果之一。

摘　　要：小说《血痕花》刊登于浙籍留日学生刊物《浙江潮》上,它融合了法国历史、日本人物和中国故事三种要素,及传统戏曲、现代小说两类文体,并在两重嵌套叙事结构中,借一位留法女学生观看的演出内容和脚本,讲述留日学生如何受到法国大革命故事和卢梭平权学说的影响。该作品不仅表现了早期赴日译介群体将译述、创作及革命实践相统一的过程,也反映了其转介法国革命思想时渗入的日本话语状况,更进一步由该群体的聚合经验揭示出其在日期间对民族国家的想象与对女性权利的关注。The novel Xue Hen Hua was published in Zhejiang Tide,a magazine set up by students from Zhejiang who studied in Japan. It combines the elements of French history,Japanese characters and Chinese stories,as well as traditional opera and modern novel. In the double narrative structure,it tells how the students in Japan received the story of the French Revolution and Rousseau.s equal rights. This work not only shows the process of integrating the translation,writing and revolutionary practice of the early translation group,but also reflects the Japanese discourse situation when they introduced French revolutionary ideas. Furthermore,the collective experience of the group reveals their imagination of the nation-state and their concern for women.s rights.

关 键 词：《血痕花》 法国大革命 赴日群体 《浙江潮》 性别想象 

分 类 号：I207.41[文学—中国文学]