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作 者:HAN Guangda ZHENG Naizhang WU Junming
机构地区:[1]Jingdezhen Ceramic University,China
出 处:《Cultural and Religious Studies》2021年第7期321-337,共17页文化与宗教研究(英文版)
基 金:supported by the National Project of Innovation&Entrepreneurship for College Students of Jingdezhen Ceramic University(Nos.202110408031);the Jiangxi Ceramic Heritage Protection&Royal Kiln Research Collaborative Innovation Center Project.
摘 要:The art of ceramics originates from the basic activities of human beings,and uses the tools,following the methods,and the visual production activities combined with aesthetics.Modern technology has spawned new ceramic decoration methods and provided new ideas for artistic creation.Ceramic art relies on ceramic crafts.As the most technical form of many art categories,it is the representative of the“Combination of Art and Crafts”of arts and crafts,and it is the perfect embodiment of“Beauty”in the space-time carrier.The history of Chinese ceramic glaze shows that the study of the history of ceramic technology should rely on the aesthetics of ceramics,and the problems related to the interpretation of modern ceramic art cannot be separated from the context of the history of ceramic technology.
关 键 词:history of science and technology POTTERY technical thought GLAZE
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