“新绘画”的三条历史线索  

Three Historical Clues of"New Painting"

作　　者：蓝庆伟 Lan Qingwei

机构地区：[1]成都大学美术与设计学院

出　　处：《当代美术家》2021年第4期36-39,共4页Contemporary Artists

摘　　要：在中国当代艺术的发展过程中,作为链接20世纪末与21世纪初的“新绘画”,是其中不可或缺但又有着独特特征的一环。本文聚焦于“新绘画”三条历史线索展开讨论,试图通过美术学院的探索、全球化语境下的个体转型、屏幕时代的绘画回应三个方面来剖析“新绘画”的特征,并试图找寻“新绘画”与“’85美术”的关联关系、“新绘画”的文化与图像变化以及“新绘画”所面临的挑战。“New Painting”is an indispensable stage with unique features,which has connected the end of the 20th century and the beginning of the 21st century in the development of Chinese contemporary art.This article focuses on the three historical clues of“New Painting”and tries to dissect its features by three aspects including exploration of fine arts institutes,individual transformation in the context of globalization,and painting responses in the screen age.Besides,it attempts to find the connections between“New Painting”and“The 1985 New Wave Movement”,changes in cultures and images of“New Painting”and its challenges.

关 键 词：“新绘画” 美术学院 全球化 屏幕时代 

分 类 号：J205[艺术—美术]