后现代主义语境下的中国流行歌词  

Chinese Popular Lyrics in the Context of Postmodernism

作　　者：汤奥搏 Tang Aobo(Communication University of China,Beijing 100024)

机构地区：[1]中国传媒大学,北京市100024

出　　处：《职大学报》2021年第4期39-41,96,共4页Journal of the Staff and Worker’s University

摘　　要：后现代主义流行音乐歌词是在后现代文学与社会环境转变的共同影响下逐步形成自己确定的风格与特征,另一方面流行音乐本身也与后现代主义诞生源头相似,当前中国后现代流行音乐已经具备较成熟的作品,其歌词反映出后现代主义的不确定性、反传统、反历史与夹杂文字游戏的特征。抛开作为一般后现代音乐内涵的直接表达方式,后现代主义流行歌词本身就有主观表意价值,而不仅仅是抽象音乐声音的具象内容,其蕴含的后现代文学特点与后现代音乐的特征也是有很大区别。The lyrics of postmodern pop music gradually form their own determined style and characteristics under the joint influence of post-modern literature and social environment change.On the other hand,pop music itself is similar to the origin of postmodernism,and the current Chinese postmodern pop music already has mature works.Its lyrics also reflect the characteristics of postmodernism,such as uncertainty,anti-tradition,anti-history and mixed wordplay.The postmodern pop lyrics themselves have the value of subjective expression,not just the concrete content of abstract music sound.The characteristics of postmodern literature contained in the postmodern lyrics are also very different from those of postmodern music.

关 键 词：后现代主义 歌词文学 流行歌词 

分 类 号：J605[艺术—音乐]