电影宫殿——从消费空间到空间消费  

Movie Palace:From Consumption Space to Spatial Consumption

作　　者：汪弘扬 王杰泓[1] WANG Hong-yang;WANG Jie-hong(School of Art,Wuhan University,Wuhan 430072,China;School of Media,Huaiyin Normal University,Huai'an 223300,China)

机构地区：[1]武汉大学艺术学院,湖北武汉430072 [2]淮阴师范学院传媒学院,江苏淮安223300

出　　处：《编辑之友》2021年第8期60-65,共6页Editorial Friend

摘　　要：以一种消费的视角考察电影放映的空间,就是要探究电影放映的空间在电影消费过程中的运作机制。电影宫殿是电影放映空间演变过程中产生的一种特殊形态。文章通过梳理这一空间从消费空间到空间消费的演进过程,概括其独特属性,进而考察这一空间内所发生的消费活动,揭示其独特的运作机制,以及这一机制背后所体现的社会语境与社会关系。对跳出建筑学视角的电影放映空间进行认知,可在一种更广泛的文化的、经济的和社会结构的视角下重新挖掘电影宫殿作为一种空间形态的价值。To investigate the space of film projection from the perspective of consumption is to explore the operation mechanism of the space of film projection in the process of film consumption.The movie palace is a special form in the evolution process of film projection space.This paper summarizes the unique attributes of this space by sorting through its evolution process from consumption space to spatial consumption,and then examines the consumption activities in this space to reveal its unique operating mechanism,as well as the social context and social relations reflected behind this mechanism.Through cognition beyond the film projection space from the perspective of architecture,the value of film palace as a spatial form can be rediscovered from the perspective of a broader cultural,economic and social structure.

关 键 词：电影宫殿 消费空间 消费符号 社会结构 

分 类 号：G206[文化科学—传播学]