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作 者:闫文生 YAN Wen-sheng(School of Arts,Chongqing University,Chongqing 401331,China)
机构地区:[1]重庆大学艺术学院,重庆401331
出 处:《北京舞蹈学院学报》2021年第3期104-107,共4页Journal of Beijing Dance Academy
摘 要:中国古典舞以中国传统文化为根基,其创作过程不可避免地要运用传统文化素材,并对其进行合理严格的筛选、提炼、解码与编码的再创造。创作过程中如何激活历史,使扁平化的形象和文献素材活动起来,是需要思考的。文章以中国古典舞编创为研究对象,从视觉建构维度以中国古典舞经典作品为例,阐述作品中的视觉表征所运用的符号或形象,从而分析中国古典舞编创中的视觉建构过程。Chinese classical dance is based on the traditional Chinese culture,whose creation process inevitably employs traditional cultural materials,and carries out their reproduction of rational and strict screening,refining,decoding and coding. It is necessary to reflect on how to make the history come alive and make the flat images and literature materials come to life in the creation process. This paper takes the choreography of Chinese classical dance as the research object,and the classics of Chinese classical dance as examples from the visual construction perspective,and elaborates the symbols and images used in the visual representation of dance works,and further analyzes the visual construction process in the creation of Chinese classical dance.
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