清初商人白话短篇小说对“三言二拍”艺术技巧的继承与发展  

The Inheritance and Development of the Artistic Technique of"Sanyan and Erpai"in the Vernacular Short Stories of Early Qing Merchants

作　　者：王秋月 WANG Qiu-yue(Fujian Normal University,Fuzhou 150007,China)

机构地区：[1]福建师范大学,福州350007

出　　处：《齐齐哈尔师范高等专科学校学报》2021年第4期56-59,共4页Journal of Qiqihar Junior Teachers College

摘　　要：冯梦龙的“三言”和凌濛初的“二拍”刺激了明末清初的创作热潮一直持续到清中叶。“三言二拍”中最新的思想内容体现在商业商人题材小说当中,打破了这类题材在文学中长期被忽略、压抑和丑化的传统,并引起后来者的效仿和创作。清初商人白话短篇小说留存着对于“三言二拍”的记忆,又有所发展。本文将从艺术技巧的角度探寻清初商人白话小说对于“三言二拍”的继承与发展。Feng Meng-long's"Sanyan"and Ling Meng-chu's"Erpai"stimulated a creative boom in the late Ming and early Qing dynasties that lasted until the mid-Qing period.The latest ideas in"Sanyan and Erpai"are reflected in the novel about businessmen.This has broken the long tradition of neglection,suppression and scandalization of such subjects in literature.This also led to the emulation and creation of later generations.The vernacular short stories of the early Qing merchants retained the memory of the"Sanyan and Erpai"and developed a lot.This article will explore the succession and development of the early Qing merchant vernacular novels from the point of view of artistic techniques to"Sanyan and Erpai".

关 键 词：“三言二拍” 商人白话小说 艺术技巧 

分 类 号：I242[文学—中国文学]