1949-1966年香港话剧创作研究  

A Study of Hong Kong Drama Creation from 1949 to 1966

作　　者：胡文谦[1] 胡星亮[2] HU Wen-qian;HU Xing-liang(School of Liberal Arts,Nanjing Normal University,Nanjing 210097,China;School of Liberal Arts,Nanjing University,Nanjing 210023,China)

机构地区：[1]南京师范大学文学院,南京210097 [2]南京大学文学院,南京210023

出　　处：《安徽师范大学学报（社会科学版）》2021年第5期44-52,共9页Journal of Anhui Normal University(Hum.&Soc.Sci.)

基　　金：国家社会科学基金艺术学重大项目(20ZD21)。

摘　　要：1949至1966年间,因为特殊的社会政治文化环境,香港话剧舞台出现创作落后于现实、剧本落后于演出的严重情形。但是尽管艰难,戏剧家仍然在努力地推进香港戏剧运动。他们创作剧本以延续香港话剧的血脉,他们开展学校戏剧运动以培育剧坛新人,从而在那个特殊时空中萌生了属于香港的话剧,对香港戏剧发展产生了深远影响。During the period from 1949 to 1966,because of the special social,political and cultural environment,the creation of Hong Kong drama lagged far behind reality and the scripts lagged behind the performance.But despite the odds,dramatists were trying to advance the Hong Kong theatrical movement.They created plays to continue the blood of Hong Kong drama,and they launched the school drama movement to cultivate new talents in the drama field.Thus,the drama characteristic of Hong Kong was born in that special time and space,and had a profound impact on the development of Hong Kong drama.

关 键 词：古装剧 现实剧 学校戏剧 香港话剧 

分 类 号：I206.7[文学—中国文学]