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作 者:田俊武[1] Tian Junwu(School of Foreign Languages,Beihang University,Beijing,China)
机构地区:[1]北京航空航天大学外国语学院,北京100191
出 处:《外国文学》2021年第4期95-106,共12页Foreign Literature
基 金:教育部人文社科基金后期资助重大项目“美国20世纪小说中的旅行叙事研究”(18JHQ004);北京航空航天大学人文社科拔尖人才计划项目(ZG226S189J)。
摘 要:古典人类学认为,人类历史就是旅行者的历史;旅行写作就是旅行的文学发生学表征,在整个人类文化史上占据巨大的比重。但是,由于旅行写作范式的芜杂性和其非虚构性叙事的部分失真性,这种范式受到文学理论界的长期忽视。20世纪80年代以来,随着人类学家对旅行主题的重新捡拾,随着后现代、后殖民主义理论的兴起,旅行写作这种久被忽视的文学范式终于受到文学理论界的重视,关于旅行和旅行写作的研究已经成为当代西方理论界的显学。其中,旅行写作与后殖民主义、旅行写作与地缘政治、旅行写作与比较文学形象学、旅行写作与性别身份等是当下研究的主要热点。In the view of classical anthropology,human history is the history of travel.Travel writing is the literary genealogical representation of travel events,and it accounts for a great proportion in the history of human culture.However,due to its heterogeneity and supposed distortion of truth in nonfictional narrative,travel writing had long been ignored by literary critics.Ever since 1980 s,with anthropologists’rediscovery of travel theme and the emergence of postmodernism and post-colonialism,travel writing has finally won the attention of literary critics,and study about travel and travel writing has now become even more prosperous in the field of Western literary criticism.Among this new genre of criticism,the relationships between travel writing and post-colonialism,travel writing and geopolitics,travel writing and comparative literary imagology as well as travel writing and gender identity become key issues of the contemporary studies.
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