从小说叙事学到符号叙事学  

From Novel Narration to Symbolic Narratology

作　　者：赵毅衡[1] ZHAO Yiheng(The College of Literature and Journalism,Sichuan University,Chengdu,Sichuan 610064,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《河北师范大学学报（哲学社会科学版）》2021年第5期69-74,共6页Journal of Hebei Normal University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目重大招标课题“当今中国艺术提出的重要美学问题研究”(项目编号:20&ZD049)。

摘　　要：叙事是人类组织个人生存经验和社会文化经验的普遍方式,随着当代文化的“叙事转向”,越来越多的学者意识到应打破传统叙事学侧重于小说和电影这一倾向,更多的社会人文学科都应成为叙事学的研究对象。因此,叙事学应实现跨问题、跨媒介和跨范围研究,而作为研究一切包含叙事成分的文本的叙事学,符号叙事学将成为当前叙事学研究的发展趋势。Narration is a common way for human beings to organize personal survival experience and social and cultural experience.With the“narrative turn”of contemporary culture,more and more scholars realize that traditional narratology should break away from the tendency of focusing on novels and movies,and the research objects of narratology should be more social humanities.Therefore,narratology should realize cross-problem,cross-media and cross-scope research.As a narratology that studies all texts containing narrative elements,symbolic narratology will become the development trend of current narratology research.

关 键 词：叙事 中国叙事学 符号叙事学 

分 类 号：C02[社会学]