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作 者:樊天[1] Fan Tian(Fuzhou University of International Studies and Trade,Fuzhou 350202,China)
出 处:《黑河学院学报》2021年第8期133-135,共3页Journal of Heihe University
摘 要:芥川龙之介的成名之作《鼻》围绕着高僧禅智内供的鼻子而展开。内供是一位因鼻子而烦恼的俗人。内供自尊心强,无法正视自己缺陷,又太在意外界的眼光,导致自我意识缺失,这源自于内心强烈的自卑心理。当其唯一的缺陷改善之后,众人由同情变为嫉妒,对其议论和嘲笑愈演愈烈,这体现了旁观者的利己主义心理。芥川龙之介通过《鼻》揭露了人性的丑陋面,这与日本“耻”文化、集体主义和人性自私有着深刻的关系。Akutagawa Ryunosuke’s famous work Nose centers on the nose of the Buddhist monk Neigong,who is a vulgar person worrying about his nose.Neigong has strong self-esteem—he can’t face up to his own defects,and cares too much about other people’s opinions.His strong inferiority complex leads to his lack of self-consciousness.When his only defect gets improved,people’s mentality changes from sympathy to jealousy,and take more intense comments and ridicule on him.,which refl ects the egoism on the part of onlookers.Akutagawa Ryunosuke reveals the ugly side of human nature through Nose,which is deeply related to Japanese“shame”culture,collectivism and human selfi shness.
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