吕天成“妙品”说——评价《香囊记》的一个新视角  

"Miracle" Commented by Lv Tiancheng——A New Perspective to Evaluate The Sachets

作　　者：刘喻枫 潘承玉[1] LIU Yu-feng;PAN Cheng-yu(School of Humanities,Shaoxing University,Shaoxing Zhejiang,312000)

机构地区：[1]绍兴文理学院人文学院,浙江绍兴312000

出　　处：《山西大同大学学报（社会科学版）》2021年第4期78-82,132,共6页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：在明清曲家对《香囊记》的评价中,吕天成的"妙品"说是对《香囊记》的最高评价。"妙品"说是吕天成不拘时俗、深思熟虑的结果,其"词工白整,尽填学问"的概括准确揭示出《香囊记》的语言特征。同时吕天成"此派从《琵琶》来"的论断,更为重新评价《香囊记》的艺术特征提供了思路。按照吕天成的提示,对《香囊记》与《琵琶记》进行仔细比较,可以发现,《香囊记》除语言典雅工整外,更具有情节曲折多变,结构严整巧妙的艺术特征,堪称"前辈中最佳传奇",在明代传奇的"文人化"进程中具有典范意义。In the evaluation of The Sachet by the composers in the Ming and Qing Dynasties, Lv Tiancheng’s comment of "Miracle" is the highest praise of The Sachet. The theory of "Miracle" is the result of Lv Tiancheng’s unconventional and deliberate consideration. It’s generalization of "words are neat and tidy and full of knowledge" accurately reveals the linguistic features of The Sachet. At the same time, Lv Tiancheng’s thesis that "it came from The Lute" provides a way to recomprehend the artistic characteristics of The Sachet. According to Lv Tiancheng’s prompts, a careful comparison between The Sachet and The Lute reveals that in addition to the elegant and neat language, The Sachet has the artistic characteristics that the plot is tortuous and the structure is rigorous and ingenious. It can be called "the best legend among the predecessors" and has exemplary significance in the lateralization process of legends in the Ming Dynasty.

关 键 词：《香囊记》 《曲品》 吕天成 艺术特征 文学史地位 

分 类 号：I237.2[文学—中国文学]