历史闪回:创伤摄影与痛苦的记忆政治  

Flashback of the History:Trauma Photography&Painful Politics of Memory

作　　者：李飞[1] Li Fei

机构地区：[1]上海大学文学院

出　　处：《上海文化》2021年第8期63-71,98,共10页Shanghai Culture

基　　金：中国博士后科学基金面上资助项目“当代西方创伤理论与批评研究”(项目号:2019M661465);上海市社会科学规划青年课题“创伤理论研究”(项目号:2020EWY012)的阶段性研究成果。

摘　　要：桑塔格等人的暴行摄影理论无法解释一些关键的内在体验,而创伤对观看和现实概念的更新,使得创伤摄影成为更有解释力的替代理论。创伤摄影有两个层面的含义:一方面,创伤摄影是有关创伤经历的摄影;另一方面,创伤摄影意味着创伤摄影与创伤的同构关系。从记忆政治的角度看,作为历史闪回的创伤摄影,具有突破记忆框架的潜力。The photographic theory of violence by Sontag and others can't explain some key inner experiences,but the renewal of the concept of viewing and reality by trauma makes photography of trauma a more explanatory theory alternatively.Photography of trauma has two meanings.On the one hand,it is about trauma experience.On the other hand,it means an isomorphic relationship between trauma photography and trauma.From the perspective of memory politics,trauma photography,as a flashback of history,has the potential to break through the memory framework.

关 键 词：创伤 创伤摄影 幽灵 记忆 

分 类 号：J405[艺术—摄影艺术]